Ep. 77: 10 Highlights From My Trip to Nashville

It’s now September and summer is wrapping up. I hope you’ve had a good summer. It’s certainly been a busy one for me. I’ve played quite a few shows, including some weddings. I’ve also been working on some new songs for an album and have some new podcast episodes in the pipeline so stay tuned for both of those things.

I also recently got back from an awesome trip to Nashville, including a stop in Memphis. It was my first time going so I thought I’d break things up from the usual format of this podcast and talk about some of the things my wife and I saw and did while I was there and sprinkle in some music along the way. I came up with a top ten list so let’s start the countdown in order of least to most on how much I enjoyed each of these things. Pictures my Melissa Dupree Haws and myself.

10. Beale Street

This is a famous strip in Memphis known for the live blues music played  inside it’s many clubs. Over the years, it’s hosted several famous acts like Louis Armstrong, Muddy Waters, and B. B. King, to name a few, and the combination of all the different musicians who played here helped develop the style known as the Memphis Blues.

When we showed up, it was in the afternoon so there wasn’t a lot of music happening besides a really awesome blues band playing outdoors. We did hang out inside a shop called A. Schwab, which was sort of a curiosity shop, variety store. They had an old-fashioned ice cream and soda bar with homemade gelato. We had banana pudding gelato, which was delicious.

Overall, I can’t say I was crazy about Beale Street. It felt a little bit touristy but also kind of gritty with things kind of run down and some of the stores boarded up. We weren’t sure how safe it was to be there. This was one of the last things we did on our trip and we were pretty tired, so we went back to our hotel before most of the evening shows started. So we probably didn’t give it fair shot but it was still nice to check it out.

Here’s a little B.B. King for you to get in the Memphis mood.

9. Belmont Mansion

This is an historic antebellum southern style 19,000 square foot mansion built in 1853 by the wealthy Adelicia Acklen along with her husband, Joseph. At one point, Adelicia was the wealthiest woman in Tennessee and spared no expense decorating her home as lavishly as possible. The mansion housed a large collection of european art , including several marble statues; as well custom built furniture, several large marble fireplaces, and the stained glass windows containing actual gold.

Eventually, the mansion and estate were donated and turned into a college that evolved into present day Belmont University.

It was a blast to tour the mansion and mix something historic into our music trip.

8. Graceland

This is the famous Memphis home of Elvis Presley. He purchased it in 1957 pretty early on in his career right after he had the hits “Heartbreak Hotel” and “Hound Dog.” Over the years, he made additions to the space like adding a swimming pool, a detached office for his business dealings, a racquetball room and a large trophy room for all his awards, which brought the square footage from about 10,000 to 17,000.

After he died, they opened the home up for tours, and kept things pretty how they were in the late 70s, including the really colorful, retro wall paper and jungled themed shag carpet in some areas.

The upstairs where he died is closed off to visitors and his grave is also located on the estate. The audio tour was narrated by John Stamos, who as you may know, played Uncle Jesse, a huge Elvis fan, in the TV show Full House. I thought it was kind of a fun touch.

Across the street, they had a large museum, which housed his car collection, his many jumpsuits, gold records and many, many other pieces of memorabilia. I’m not a huge Elvis fan but I still had a blast learning about him and seeing all the people and things that surrounded his life.

7. Broadway

This is a famous stretch of town known for live music at the many honky tonk bars and restaurants located here. Many of them have neon signs, reminiscent of old school Las Vegas. In fact, people sometimes describe it with the term “Nash-Vegas” because of the neon signs but also the touristy, party vibe found here. In fact, we walked past several different groups of girls in matching t-shirts having bachelorette parties. It was quite a site.

Despite this, it’s still a great place for music. You can walk from place to place and here some kind of country music going on all day long. We mostly hung out at a famous spot called “Robert’s Western World,” and heard some amazing, fast picking tunes. We also stepped inside a few shops that sold country boots and hats and a few gift shops.

It was fun but it got to be sensory overload after a while so I’d recommend doing it in small doses.

Here’s one of the acts we saw while we on Broadway, Rachael Hester.

6. Eating BBQ Ribs

We asked around for places to get good barbecue in Nashville and two of the spots that we ended up going to were Martin’s and Peg Leg Porker.

The ribs at both of these spots where delicious. If I had to choose which one I liked better, I would probably pick Martin’s. The meat was a little more tender and had a really nice, smokey flavor. Their BBQ sauce was really unique, in that it was very thin and heavy in vinegar. It caught me off guard at first but I really liked trying  a different flavor.

As far as sides, I think I liked Peg Leg Porker a little better. I had mac and cheese and baked beans and they were both awesome. Really flavorful and the cheese was really gooey. At Martin’s, I also had their pecan pie, which is probably the best I’ve ever had. Really tasty. My wife and I each liked our slice of pie so much, we both ordered another one to go for our bus ride to Memphis.

So, overall, great food. I’d recommend either of those spots if you’re ever in town.

5. DIY Musician’s Conference

This event is put on each year by CD Baby and is one of the main reasons we came to Nashville, along with seeing all the other things on this list. The presentations talked about topics for musicians like marketing your music, tips for creating youtube videos, vocal technique, getting your songs on Spotify playlists, songwriting exercises, creating a more entertaining live show, and so on. I came away with a notebook full of ideas and things to work on. Here’s a few of my main takeaways:

Success is very much about building relationships. This could be with your fans, with fellow musicians, with people in the industry. One person suggested taking 20 minutes each day build relationships with people you admire and to not ask them for a favor until you’ve known them for 2 years. Approach it from a place of authenticity and how you can be of service to them, opposed to trying to just use other people for your gain.

Another takeaway regarding live shows is to create moments. By that, I mean that as a performer, you are trying to get your audience to feel something, to feel an emotion. Throughout your set, you want to try to tap into as many of these different emotional moments as you can. It could mean creating a good groove to get your audience dancing, or adding extended guitar solos for more excitement or getting the audience to sing and clap along so they feel part of something bigger or, telling stories about the songs so the audience has a better connection to the words. Whatever it is, try to create moments.

One last takeaway is to make sure to have an overall vision of where you want to be and set weekly goals and tasks to help get you there. One of the speakers spoke about self-sabotage and how often we can get in our way with thoughts about not being good enough or getting overwhelmed. She suggested identifying whats slows you down, and changing the story, meaning looking at it with a different attitude and focusing on the good things that are working and build off of those.

So, those are my takeaways. Check out CD Baby’s YouTube page for videos of several of the presentations,

4. The Grand Ole Opry

This Nashville institution was started in 1925 as a weekly concert and radio show. Known as “The Show the Made Country Music Famous,” it’s hosted early country stars like Hank Williams, Johnny Cash, and Patsy Cline and pretty much every single country artist you’ve ever heard of since.

Each concert operates something like a variety show, where each artist performs 2 songs, often with the same backing band. I was surprised with the amount of different country styles I heard; from fast picking bluegrass, to folk rock, to piano ballads, to more a traditional mainstream country type of sound.

I love all the music I heard, but my favorite from that night was a group called The Wild Feathers. Here’s their song, “The Ceiling.”

Here’s the full list of people we saw: Connie Smith, Jimmie Allen, Bobby Osborne & The Rocky Top X-Press, Mike Snider, The Sisterhood, Charlie McCoy, The Whites, Gary Mule Deer, The Wild Feathers, Dailey & Vincent, Craig Campbell, T. Graham Brown

 3. Sun Studio

 

This is famous studio in Memphis where, among others, Elvis Presly, Johnny Cash, Carl Perkins, and Jerry Lee Lewis all recorded. Originally called Memphis Recording Service, it was started by Sam Phillips in 1950 and became the place where the artists on his label, Sun Records, recorded. If you’ve seen the movie, Walk The Line about Johnny Cash, they filmed scenes from the movie in this studio where they actually occurred in real life.

Sam ran the studio until 1960 when he upgraded to a larger space, and the building was taken over by businesses who used it for other things. In 1987, the building was turned back into a studio and luckily, the part of the building used as a studio was largely untouched over those years in between. They give tours during the day (which we went on), and in the evening have recording sessions, which I was tempted to do myself but couldn’t make it work. Maybe next time.

While on the tour, I got to hold and talk into one of the mics they originally had in the studio, which they believe was used by Elvis and many of the other famous artist who recorded here.

Here is Elvis’ first hit, “That’s All Right (Mama),” recorded at Sun Studio.

2. The Bluebird Cafe

Started back in 1982, this legendary, intimate space is a place for songwriters to showcase their latest work. It’s not a particularly remarkable or historical building; it’s located outside of downtown on an ordinary strip mall next to a dry cleaners and gas station. But many, many artists and songwriters have been discovered here from Garth Brooks back in the 80s to more recently, Taylor Swift.

It’s been heavily featured on the TV show, Nashville and with only 90 seats, it’s incredibly difficult to get tickets. To give you an idea, I’ll tell you about our attempt to get in. Tickets go on sale on their website each Monday morning at 8am for the shows happening that week. I went on their website 15 minutes before that (which would be 6:45 Mountain Time). I pushed a button to buy tickets and I was put in a queue. By 8:05 when my turn came up, all the tickets were sold out for that week. They do, however, leave about 12 seats open for first come, first serve on the night of the show, as well give up the seats for people that don’t show up. So, on Thursday night when we flew in, we took a taxi from the airport straight to the Bluebird Cafe. We got in the standby line and waited about an hour and half and we were a couple people short from getting in. Since we really wanted to see a show at the Bluebird, we came back on Saturday as early as we could and waited in line for 2 hours this time. And luckily, we barely got in. We were the very last 2 people they let in and they had to sit us at separate tables but we were just really to get in so it didn’t matter.

Most of the shows that happen at the Bluebird are what they all “In The Round,” which means that a group of songwriters sit in the middle of the room and take turns playing songs and telling stories. This was the format of the show we saw, which included Michael Logen, Billy Montana, Alys Ffion, and another person who’s name I didn’t catch. They were all very seasoned, established songwriter (some younger, some older) and I was really impressed with depth and quality of the songs they played. It was so awesome and definitely worth all the effort and waiting to see the show.

Here’s the Michael Logen song, “Ready or Not.”

1. Third Man Records

This is a record label and store started by Jack White (of the White Stripes) back in 2009. The decor is very retro with almost everything in yellow and black. They specialize in vinyl records and sell a lot of Jack’s music, along with other albums and singles the label puts out.

But one of the really interesting and unique things you can do while you are there is to lay down a song in their vintage vinyl recording booth. I learned that it was built back in the 1940s and was used for people to create voice messages to send back home, particularly soldiers abroad. You put your money in and it gives you two minutes and twenty seconds to record and it spits out a 6″ vinyl record almost right away!

This booth is one of a few operating ones left in existence. Neil Young used it to record an entire album a few years ago, and many other famous musicians have come through to record a song on it including Willie Nelson, Eddie Vedder and Weezer to name a few. My wife and I had the privilege of recording a couple songs in the booth – with a loner guitar owned by Jack White, if you can believe that!

 


I’d also like to add that if you are a musician working on songs and would like some feedback, I’d be happy to give my input. Shoot me a message from the contact section of jakehaws.com and I’ll feature your song on a future episode and give my feedback. Or I can give it to you privately if you’d prefer it that way.

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Ep. 76: Song “Little Bird” (Influenced by The Dodos)

This week, I’m featuring a brand new song just recorded called “Little Bird,” which will be on my new album coming out this October.

This song was influenced by a San Francisco band called The Dodos. In particular, I like the fast picking patterns and the driving percussion they typically use so I tried to incorporate some of those sounds into my song. Here’s the Dodo’s tune, “Black Night.”

So with that influence in mind, let me break apart my song for you. It starts with the acoustic guitar playing a syncopated picking style, which basically means the accents are played on the off beats.

To ground the song, I played a real simple kick drum beat with a cajon. It’s just quarter notes – or as they would say in dance music “4 to the floor.” Here’s the bass guitar along with played the same rhythm. Basically, I’m trying to stay out of the way of the busy guitar part.

Next I used the cajon again to play something like a tom fill every couple of bars, just to add a little extra excitement to the beat.

So now with these basic parts down, we needed a little extra texture. So, I added a soft organ to go in the background. I also added two electric guitar parts. One of them copies doubles what the acoustic guitar is doing and the other is sort of an ebow drone sound.

For the last minute of the song, the acoustic guitar switches from picking to strumming and the energy picks up. To go along with that an add a little punch, there’s another electric guitar part with distortion. I also picked up the energy with the percussion. Instead of having a tom fill every couple bars, I turned it into a quick roll almost surf style like the song “Wipe Out.”

The lyrics tell the story of someone having some heavy social anxieties and trying to work through those issues about whether they are good enough and what other people think of them. They are able to persevere with the thought that there’s someone out there looking out for them. I wouldn’t really call it autobiographical but it certainly pulls from feelings I’ve had from time to time.

Lyrics:
I wouldn’t want anyone to see
The little bird sitting next to me
Telling me what I’m doing
Even though I keep losing

I wouldn’t want anyone to know
I’ve really got nowhere else to go
I’m out on a Friday night
Nothing is feeling right

But I got a feeling that someone’s coming back for me

I wouldn’t want anyone to leave
They’ve really got no reason to agree
I’m standing here on my own
Thinking I should go home

I wouldn’t want anyone to hear
It’s really been quite a rocky year
I don’t know what went wrong
That’s making me sing this song

But I got a feeling that someone’s coming back for me

I wouldn’t want anyone to say
I’m mixed up in my head and lost my way
I don’t know what I’m doing
But something is keeping me moving

But I got a feeling that someone’s coming back for me

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Ep. 74: Brother Chunky – Interview and Song Challenge “Ode To Nashville”

This episode, I’m joined by local blues legend, Brother Chunky. He plays a few tunes, then we talk about how he got started making music, the ups and downs of playing in a band and recording his new album. After that, we even write a new song together about going to Nashville.

Here’s Brother Chunky’s Chicken Pot Pie video:

For the recording of “Ode To Nashville (You Gotta Strum),” Brother Chunky sang lead vocals and played the guitar parts. I filled things in with percussion, bass and harmonies.

Lyrics:
When you drive down, to that place
You won’t come back, ever the same
Music playing, on the street
Pickin away now, in that heat

When that chance comes, you better run
When that chance comes, you gotta strum
Yeah, you gotta strum

Head to the Honky Tonk, guitar on my back
I talked to the manager he said, you don’t stand a chance
I got twenty others, ready to play
My advice to you son, you best be on your way

When that chance comes, you better run
When that chance comes, you gotta strum
Yeah, you gotta strum

I finally got my shot to, get on that stage
I started pickin, and blew them away
People were dancing, and having a ball
They threw their money, at my guitar

When that chance comes, you better run
When that chance comes, you gotta strum
Yeah, you gotta strum

Brother Chunky Links:

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Ep. 73: Song “Harvest Moon” (Neil Young Cover)

For this week’s episode, I’m sharing a cover I recently recorded of Neil Young’s song, Harvest Moon.

I’m playing a wedding later on this summer with my acoustic duo, The Fab Folk, and the bride requested that we play this song for her and the groom to dance to. I wanted to record it for her so she would have an idea what it would should like before we play it. The instruments are sparse: just acoustic guitar, mandolin, cajon and tamborine. I think it’s a great tune for a wedding and I’m excited to perform it for them.

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Ep. 72: Song “Not Aloud” (Influenced by Low)

This episode, I break apart an old, slow song I wrote influenced by the indie band Low.

This song was first written back in my sophomore year of high school. The lyrics are from the perspective of someone in jail who is longing to be back outside. At the time, I kind of envisioned it sounding like a rock power ballad along the lines of Radiohead’s Fake Plastic Trees. The song got set aside in favor of other songs I was working on.

In 2012, when I did my 50 Song in 50 Weeks project, I revisited the song and decided to pattern the production style after the band Low.

Low is a band from Duluth, Minnesota started back in 1993 by husband and wife, Alan Sparhawk and Mimi Parker, and has included handful of bass players over the years. The music is sparse and minimal, which instruments usually just including a light guitar part, bass, and a snare drum and ride cymbal played with brushes. The tempo is also usually very slow, to the degree their music is often described as slow-core. There more recently releases have added a little more variety and sped up the tempo a little but here’s one of their early, slow songs called “Over The Ocean.”

My recording borrows many elements from Low’s sound, particularly the same style of guitar, percussion and singing. I also added a soft piano line and towards the end, several tracks of guitar played with an ebow. If you’re unfamiliar with an ebow, it’s a small box that sends an electro magnetic pulse to the guitar strings and makes vibrate and make sound without actually touching it.

This ended up being one of my longest and slowest songs I’ve ever done but I think by about halfway through, you get used to it and it becomes a little bit hypnotic. At least that’s my hope.

Lyrics:
Watch out they’re coming,
Quickly shoving to the gate,
What am I looking for,
A missing key to the door of my fate.

But I’m not aloud here,
Not aloud here,
Not aloud here today.

Looking through the bars,
I can see speeding cars as they roll on by,
Then I realize that I’ve been on the inside this whole time,
And it doesn’t surprise my why.

But I’m not aloud here,
Not aloud here,
Not aloud here today.

Searching, what can you see,
Seems that I have lost the key and it can’t be found,
I’m patiently waiting, slowly anticipating,
But I’m not aloud.

I’m not aloud here,
I’m not aloud here,
I’m not aloud here today.

Download “Not Aloud” on Bandcamp

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Ep. 71: Kimberly Knighton, Singer/Songwriter (Interview/Performance)

I’m joined this episode by singer/songwriter, Kimberly Knighton. We talk about how she got started playing music, including taking songwriting classes, her time in Nashville and finding her voice as an artist. She performs the songs: Better Now, The ABCs, and We Don’t Have To Save The World.

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Ep. 70: Song Challenge with Severin Bozung “The Underdog (Swervy Courage)” – Music Podcast

seve and jake recording and episode of the making music podcast

This music podcast, I’m joined by Severin Bozung of Seve Vs. Evan. We challenged ourselves to write a song about being picked last in gym class. We ended up with a fun synth-pop tune called “The Underdog (Swervy Courage).”

For the recording, Severin played the synth parts and sang lead vocals. I programmed the drum machine, added harmony vocals, a tambourine, handclaps, and a synth noise pad.

Lyrics:
I just got picked last in gym class,
My crush was laughing from the stands,
Yesterday I asked her to the Valentine’s dance,
She claimed she already made plans

The swervy courage of the underdog,
Never saw it coming, never saw it coming,
Waiting in line til he’s number one,
His little heart is thumping, little heart is thumping

Captain sprained his ankle now I got my chance,
Laced up my kicks, “Coach put me in,”
Started a romance with my breakaway pants,
When I tried to rip them off everyone grinned

The hidden courage of the underdog,
Never saw it coming, never saw it coming,
Waiting in line til he’s number one,
His little heart is thumping, little heart is thumping

Clock is ticking, got the ball,
Crowd is cheering, show them all,
My crush was kissing the captain in my place,
Instead of shooting I threw it in his face

The swervy courage of the underdog,
Never saw it coming, never saw it coming,
Waiting in line til he’s number one,
His little heart is thumping, little heart is thumping

Thanks for listening to my music podcast!

Links:

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Ep. 68: Song Challenge with Tom Brinton “The First Time I Heard The Strokes”

For this week’s episode, I’m joined by Tom Brinton. We challenged ourselves to “write a song about another band.” We ended writing a song about the first time Tom heard The Strokes and appropriately titled the song, “The First Time I Heard The Strokes.” Listen to our conversation writing the song and the process of recording it in this podcast.

For the recording, we started with the drum machine sound from a really old, cheesy keyboard. To give it a little punch and keep it in line with the Strokes sound, we added some light distortion to the recording. I added acoustic guitar and organ. Tom laid down two electric guitar parts, bass and tambourine.

Last came vocals. During the verses, Tom and I sung in unison and during the choruses, I sang an octave higher. We added distortion to once again pay homage to the sound of the Strokes.

I’m pretty excited with how it turned out. It’s one of the most fun and quirky songs I’ve ever recorded and I hope you like it.

Lyrics:
Morning bell, I hear it ringing and it’s time for school,
They got the TV on, it’s turned to channel one,
I turned my head around and heard a brand new sound,

I thought my life was going fine but I was wrong,
Thought it was perfect til I heard it in a song,
When something comes along to change your mind,
You’ve been missing something you can’t define,
You can make a bad day turn around,
Anytime you hear it, Tell me did you hear it?

Heading home, I cranked it up and now my speaker’s blown,
Back to my driveway and I’m pulling in,
I’m in my car and I’m still listening,
My mom’s banging on the door,
But I just want some more,

I thought my life was going fine but I was wrong,
Thought it was perfect til I heard it in a song,
When something comes along to change your mind,
You’ve been missing something you can’t define,
You can make a bad day turn around,
Anytime you hear it, Tell me did you hear it?

Visit Tom Brinton’s Website, Space Venture Coalition, and The Song Club.

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